![]() ![]() “Defining Ragtime Music: Historical and Typological Research.” Studia Musicologica Academiae Scientiarum Hungaricae 38, no. “A Portrait of Diversity: Exploring Underrepresented Violin Literature of the United States from 1893-1916.” Order No. White audiences saw ragtime music as a sort of forbidden fruit an attitude that would extend to jazz and other forms of Black American Music throughout the 1900’s. Avaunt with ragtime rot! Let us purge America and the Divine Art of Music from this polluting nuisance” 3.Īs shown in the somewhat tongue-in-cheek periodical at the top of this post, even those that were fans of ragtime saw it as a risqué genre, even it if was irresistible: “We stoutly disapprove it/ And we threaten to remove it/ But it gets us all a-dancing all the same” 4. In Christian homes, where purity of morals is stressed, ragtime should find no resting place. ![]() Leo Oehmler, a composer and violinist wrote in a periodical in a 1914 issue of the Musical Observer, “Let us take a united stand against the Ragtime Evil as we would against bad literature, and horrors of war or intemperance and other socially destructive evils. ![]() This sentiment was shared by many white composers at the time. Its detractors, who worshipped the canon of Western European classical music, saw ragtime as a scourge on the genre, lacking harmony for the sake of bizarre, chopped rhythm. Because of its iconic use of syncopation, and its origin as a form of Black American Music, ragtime was initially met with resistance from musical conservatives. This isn’t to say that ragtime was completely beloved by the American public. Posted in Fall 2023 MUS 345 B | Tagged Alexander's Ragtime Band, Haiti, jazz, musical, Ragtime, Ragtime the Musical, Scott Joplin, Your Daddy's Son | Leave a reply From Rags to Riches: How Ragtime Entered the American CanonĪs white people became hip to the genre, white musicians began to imitate their black contemporaries and transcribed simplified versions of rag melodies for public purchase, and thus, “ragtime” as an established American genre was born. New York: American Heritage Publishing Company, 1994. NEW YORK: Amer Heritage Subscription Dept, 1994. RAGTIME DIPLOMACY + UNITED-STATES INVOLVEMENT IN HAITI IN THE EARLY-20TH-CENTURY. McNally, Terrence, Lynn Ahrens, Brian Stokes Mitchell, Peter Friedman, Marin Mazzie, Audra McDonald, Mark Jacoby, David Loud, John Mauceri, and E.Music itself can be seen to have a powerful impact of nations such as Haiti and the African American population in which in resides. The US relations with Haiti from 1915 reached political measures when President Woodrow Wilson had Haiti sign a treaty "that would protect foreign lives and property during Haiti's fifth revolution in four years" and discuss the Haitians take on the political atmosphere at the time. Haiti being a predominantly African descent population at approximately 95 percent, has also been impacted through the outreach of ragtime. One of the songs projected in the musical is "Your Daddy's Son" and can be found at minute at 3:42 on the Audio CD of Ragtime: The Musical, which tells the heart wrenching story of a mother who buries her child in the ground after the father of her baby leaves her. ![]() The 20th century Broadway production Ragtime the Musical Another gained popularity. There was later a musical film released named after it, telling the story of a boy who pursues a career in ragtime instead of a more respected form of music. In class we covered "Alexander's Ragtime Band" which is a song by Irving Berlin released in 1911 and was his first major hit. Although African American musicians played a large role in the culture surrounding ragtime, their community was also made to feel insulted due to the minstrel show tendencies that became popularly associated with it. The presence of the ragtime phenomenon has made an impact on the composition and entertainment industry for over a century. Ragtime is at times associated with jazz, however an argument is made that due to the absence of improvisation, it cannot be considered jazz. Ragtime regained popularity once again in the early 20th century through composers such as Scott Joplin, and African American composer and pianist. It was often played on the piano with accented accompaniment. Ragtime is a syncopated musical style that was evolved by African American musicians which peaked between the 1890’s and 1910’s. ![]()
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